In my previous post I compared some passages of mimesis—world building—in Jane Austen’s Pride and Prejudice and Willa Cather’s The Song of the Lark. I was arguing that literary realism is not a simple category; literary language is not a transparent window through which we just look at what’s out there, even in realistic styles. … Continue reading Mimesis in Doris Lessing’s “The Good Neighbour”

Every novel presents a world to the reader. The building of a narrative world doesn’t have to happen all at once, though it’s common for at least some world building to occur at the beginning. If the world of a narrative is close to something we can, for the moment, call normal reality, then the … Continue reading Mimesis in Austen and Cather

It’s been a while since I posted anything about my current research project in narrative analysis. The approach I’m using looks at a narrative from three aspects: the synthetic, the mimetic, and the thematic. The synthetic aspect asks “How is this narrative composed?”; the mimetic aspect asks “What does it represent?”; and the thematic aspect … Continue reading Representation, Big and Small

I. In this post I want to look at the words “analgesic”, “anaesthetic”, and “anodyne”, all derived from ancient Greek and all having to do with pain or the lack of pain. I begin with the word “analgesic”, which is a general term for pain killers which don’t induce loss of consciousness; many analgesics can … Continue reading No Pain, No Gain

By Robert Fisher I'm very pleased to present a Guest Essay, contributed by Friend of the Blog Robert Fisher. This one is about Toponyms, that is, place names, and what we can learn from them. Enjoy!!! Historical linguists can glean some information about the extent of ancient languages and the migrations of the people who … Continue reading Guest Essay: Toponyms

The word “stick” is one of those short Germanic words that form the core of the English vocabulary. Relatives of the word “stick” can be found in many Germanic languages; it can be traced all the way back to Proto-Indo-European, and it shows up in Greek and Latin. The Proto-Indo-European root is “*steig-” (the asterisk … Continue reading Stick, Stigma, Astigmatism, Etiquette

In my previous post (“Cather’s Characters”, posted 16 July), I discussed fifteen character sketches in Willa Cather’s The Song of the Lark (and a couple of sketches in Jane Austen’s Emma). I noted that all the sketches in The Song of the Lark concern secondary or tertiary characters. There is no sketch of the principal … Continue reading More on Character Sketches

I my previous post I began to discuss the little character sketches in Willa Cather’s novel, The Song of the Lark. There are, by my count, fifteen of these. Here’s a list of the sketches I’ve found: 1. Thea Kronborg’s mother, p. 14–15.2. Thea’s father, pp. 17-18.3. Thea’s aunt Tillie, pp. 20–21.4. Thea’s friend, Mrs. … Continue reading Cather’s Characters

Willa Cather was born in Virginia in 1873, she grew up in Nebraska, but she lived most of her adult life in New York City, and she died in 1947. She’s often considered a mid-Western realist, but that description really doesn’t begin to describe her writing. Her style is mostly rather understated; her use of … Continue reading Portraits in Willa Cather’s “The Song of the Lark”

I. The ancient Greek word “spora” (σπορά) meant “seed”. The modern English word “spore” doesn’t quite mean “seed”, but it does mean one of the stages in the reproduction cycle of fungi, such as molds, yeast, or mushrooms, and of some non-flowering plants, such as ferns. The ancient Greek “sporadên” (σποράδην) means “spread or scattered … Continue reading Precious Bodily Fluids