This is a blog about language and literature. I’ve always been fascinated by words, by how words form sentences, and how sentences form poems and stories. The technical term for this fascination is philology—the love of language. Friedrich Nietzsche defined philology as the art of reading slowly—that’s where I got the title for this blog. In the section titled What is Philology? I discuss what I take to be the four major components of philology: historical linguistics, the editing of texts, the interpretation of language in context, and the interpretation of literature with special attention to language. I’m interested in all of these, and I will post blogs on all of them, but my own work lies primarily in the third and fourth areas.
I created this site as an invitation for anyone who has a passion for literature—readers and writers of all sorts. I would like to think of this blog as one part of a conversation among people who share an interest in the way language works and the way it turns into art. Please feel free to enter the conversation by dropping me a note with your reactions to my posts or with your own thoughts. I welcome your comments and suggestions.
I would also like to take this opportunity to thank Karen L. Hogan, who did all the hard work of designing and mounting this blog. Without her help it wouldn’t have happened.
My Most Recent Blog Posts
Stick, Stigma, Astigmatism, Etiquette
The word “stick” is one of those short Germanic words that form the core of the English vocabulary. Relatives of the word “stick” can be found in many Germanic languages; it can be traced all the way back to Proto-Indo-European, and it shows up in Greek and Latin. The Proto-Indo-European root is “*steig-” (the asterisk … Continue reading Stick, Stigma, Astigmatism, Etiquette
More on Character Sketches
In my previous post (“Cather’s Characters”, posted 16 July), I discussed fifteen character sketches in Willa Cather’s The Song of the Lark (and a couple of sketches in Jane Austen’s Emma). I noted that all the sketches in The Song of the Lark concern secondary or tertiary characters. There is no sketch of the principal … Continue reading More on Character Sketches
Cather’s Characters
I my previous post I began to discuss the little character sketches in Willa Cather’s novel, The Song of the Lark. There are, by my count, fifteen of these. Here’s a list of the sketches I’ve found: 1. Thea Kronborg’s mother, p. 14–15.2. Thea’s father, pp. 17-18.3. Thea’s aunt Tillie, pp. 20–21.4. Thea’s friend, Mrs. … Continue reading Cather’s Characters
Portraits in Willa Cather’s “The Song of the Lark”
Willa Cather was born in Virginia in 1873, she grew up in Nebraska, but she lived most of her adult life in New York City, and she died in 1947. She’s often considered a mid-Western realist, but that description really doesn’t begin to describe her writing. Her style is mostly rather understated; her use of … Continue reading Portraits in Willa Cather’s “The Song of the Lark”
Precious Bodily Fluids
I. The ancient Greek word “spora” (σπορά) meant “seed”. The modern English word “spore” doesn’t quite mean “seed”, but it does mean one of the stages in the reproduction cycle of fungi, such as molds, yeast, or mushrooms, and of some non-flowering plants, such as ferns. The ancient Greek “sporadên” (σποράδην) means “spread or scattered … Continue reading Precious Bodily Fluids
Think, Thank, Thunk
English verbs (and verbs in some related languages) can be divided into two types. One type makes its past tense and past participle by adding a dental suffix, which is pronounced “d” (“I love, I loved, I have loved”) or “ed” (“I want, I wanted, I have wanted) or “t” (“I walk, I walked, I … Continue reading Think, Thank, Thunk
The Art of Reading Slowly 