This is a blog about language and literature. I’ve always been fascinated by words, by how words form sentences, and how sentences form poems and stories. The technical term for this fascination is philology—the love of language. Friedrich Nietzsche defined philology as the art of reading slowly—that’s where I got the title for this blog. In the section titled What is Philology? I discuss what I take to be the four major components of philology: historical linguistics, the editing of texts, the interpretation of language in context, and the interpretation of literature with special attention to language. I’m interested in all of these, and I will post blogs on all of them, but my own work lies primarily in the third and fourth areas.
I created this site as an invitation for anyone who has a passion for literature—readers and writers of all sorts. I would like to think of this blog as one part of a conversation among people who share an interest in the way language works and the way it turns into art. Please feel free to enter the conversation by dropping me a note with your reactions to my posts or with your own thoughts. I welcome your comments and suggestions.
I would also like to take this opportunity to thank Karen L. Hogan, who did all the hard work of designing and mounting this blog. Without her help it wouldn’t have happened.

My Most Recent Blog Posts
Enough Mimesis (For Now, Anyway)
For some time I’ve been posting essays on the topic of literary mimesis—also known as representation or world building. The topic is large and, to my mind, quite fascinating, but I feel like a change, so after this essay I will switch to another topic. Mimesis, world building, often involves some description of the objects…
Dr. Archie Delivers a Baby
In this post I continue my discussion of mimesis—representation, world-building—in Willa Cather’s The Song of the Lark. As I have said previously, in my system the synthetic, the mimetic, and the thematic are simultaneous, but they may be artificially separated for analytical purposes. In this post I will include a few comments on the synthetic…
More on Faith, Hope, and Charity
In my previous post I looked at the structure of a sentence written by the Elizabethan theologian Richard Hooker and quoted by Herbert Read in his book, English Prose Style. In this post I will look at the context of the sentence, both internal and external. I begin by repeating the passage for ease of…
Faith, Hope, and Charity
Lately I’ve been posting on world building, the mimetic aspect of narrative, and I will continue that series later, but today I thought I would take a break and talk about style. Recently I came across an interesting passage in Herbert Read’s English Prose Style, first published in 1966. I wouldn’t place it at the…
More on Mimesis in Willa Cather’s “The Song of the Lark”
Lately I’ve been writing posts about narrative world building, the mimetic aspect of narrative, with particular attention to descriptions of moveable objects, including clothing. I’ve been concentrating on novels by three writers: Jane Austen’s Pride and Prejudice, Willa Cather’s The Song of the Lark, and Doris Lessing’s The Good Neighbour. There’s lots more to say…
Lessing, Austen, Cather
In my previous post I looked at some passages from Doris Lessing’s novel The Good Neighbour to show something about her techniques of world building, mimesis. There are many passages in the novel that show how interested she is in enumerating and describing things; these enumerations and descriptions contribute to the meaning of the novel,…